Artificial intelligence (AI) still needs to prove its ability to attract cinematic audiences. In the Chinese context, the first major attempt to create a complete film using this technology did not achieve the expected success. The title Sanxingdui: Future Past earned only 1.7 million yuan (equivalent to about R$ 1.3 million) at the box office, despite having a cost of tens of millions of yuan.
The production was screened in Beijing, China, and gained attention for incorporating AI into almost all its visual aspects. The technology was also used in sound effects, although the editing was done by human professionals. However, its commercial performance fell considerably short of projections.
The Guardian reported watching the feature in an almost empty cinema hall in the Chinese capital. Furthermore, critical reception was not enthusiastic. The plot is set in a futuristic society where all decisions have been delegated to algorithms and AI systems, resulting in a global catastrophe. To reverse the disaster, the characters must decipher a secret code linked to the Sanxingdui bronze sculptures, which are connected to the ancient Shu kingdom.
The narrative blends elements of astronauts, Ancient Egypt, and travel through space-time vortices. The dialogues also demonstrate the use of an internal scriptwriting tool called Bowen, developed by the producer itself.
However, the failure of this film does not imply that the Chinese audience completely rejects AI-generated content. The country already has a robust industry of AI-created microdramas. These are short productions, typically lasting one to three minutes, made to be consumed on mobile devices.
According to The Guardian, tens of thousands of these contents are distributed monthly on streaming platforms. This industry, which was almost non-existent a few years ago, currently moves approximately US$ 3 billion (about R$ 16.5 billion).
One possible reason for the poor performance of Sanxingdui: Future Past lies in the competition with this microdrama format. While the ticket for the feature cost 50 yuan (approximately R$ 37), similar content could be accessed for free on mobile phones. A cinema specialist blogger synthesized the distinction: AI microdramas serve as entertainment, whereas cinema films need to offer an experience that justifies the viewer's investment.
For critic Yu Yaqin, the audience shows a greater willingness to pay for productions that provide a genuinely distinct experience.



