Mobile library dedicated to the victims of Minab school launched in Hormozgan
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Tehran Times
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Mobile library dedicated to the victims of Minab school launched in Hormozgan

A mobile public library was launched in Tehran, named in memory of the students who died in the Shajare Tayyeb tragedy. This library is directed to Minab, Hormozgan province, to expand access to cultural and library services in areas lacking public libraries.

The library was officially opened on Wednesday morning near the cemetery of the school martyrs in Minab. The ceremony took place as part of events dedicated to National Student Day on November 4th and the students who lost their lives, according to the publication Mehr.

The new library was named 'Memorial of the Martyrs of Shajare Tayyeb School' in respect for the students. Its activity is also intended to maintain their memory through reading promotion programs and cultural events.

This mobile unit will serve the districts and communities of Minab that do not have access to state libraries, providing residents with educational materials and library services. Furthermore, it organizes literary and cultural activities for children, adolescents, and other members of the local community.

This initiative is part of broader efforts to increase the accessibility of library services and promote a culture of reading outside areas with existing library infrastructure.

On February 28, the Shajare Tayyeb primary school in Minab, Hormozgan province, became the scene of a devastating massacre. This occurred after the United States and Israel began their strikes on Iran. While dozens of boys and girls aged 7 to 12 were starting lessons, the school was hit by a missile strike that caused the building to collapse, burying children and teachers under the rubble.

Iranian authorities confirmed the final death toll—168 people—and reported at least 95 other injuries. This incident became one of the most horrific events of the first day of the conflict.

Despite attempts by US and Israeli authorities to distance themselves from this massacre while images of the tragedy circulated on social media, detailed forensic and digital investigations presented a completely different picture. An analysis conducted by Al Jazeera's digital investigation unit using satellite imagery over more than a decade and recent video clips showed that the school was clearly a separate civilian object, isolated from any neighboring military targets for at least ten years.

Moreover, witness testimonies and satellite analysis confirmed that the school was subjected to three separate, targeted strikes. This data leaves no doubt about the nature of the attack.

The international community is facing a growing body of evidence regarding responsibility for this atrocity. Investigations by leading global publications, including The New York Times, BBC Verify, CBC, and NPR, have concluded that the United States bears responsibility for the strike.

These findings raise fundamental questions about the intelligence used to justify the bombing, as the nature of the strike indicates a direct, targeted assault on a civilian educational institution. The tragedy at Minab school now serves as a grim testament to the immense human cost of aggression and has become a focal point for demands for international accountability.

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National Library of Spain presents exhibition dedicated to the work and influence of Camões
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National Library of Spain presents exhibition dedicated to the work and influence of Camões

The National Library of Spain (BNE) is organizing an exhibition titled 'Camões. Life, Work, and Presence in Hispanic Culture,' which will be inaugurated by the heads of state of Portugal and Spain—President António José Seguro and King Felipe VI. The exhibition will be open to the public until February 14, 2027, with free admission.

During this period, visitors can explore the exhibition, which is based on works and collections held at the BNE. The institution described this exhibit as a 'fantastic and unique selection striving to honor the memory of one of the greatest writers of world literature.'

Among the exhibits are some of the first editions and first translations of 'Os Lusíadas' into Castilian, with most of the material belonging to the BNE itself. Additionally, items brought from various Portuguese institutions specifically for this exhibition will be displayed in Madrid, including the sole complete edition of 'Saudades da Terra' (written between 1586 and 1590) by Gaspar Frutuoso.

This copy, which arrived in Madrid from the Public Library and Regional Archive of Ponta Delgada in the Azores, was presented by Manuel de Morais Sarmiento Pizarro, a member of the exhibition's supervisory committee working at the Portuguese Embassy in Madrid. Works from Portugal donated by the Lisbon War Museum (works by José Malhoa) and the Lisbon Museum (the painting 'Death of Camões' by Francisco Augusto Metrassa) will also be shown at the BNE.

The BNE emphasizes that it 'preserves an important heritage about Portugal and its literary history' and invites the public to 'discover the culture and richness of the Portuguese people.' According to the BNE, through the presented artifacts and collections, Luís Vaz de Camões 'is presented as a product of the Iberian historical and cultural context and simultaneously as a source of inspiration for authors from both sides of the Atlantic.'

The exhibition is divided into four main sections. The curator, Professor and Doctor of Romance Philology Aurelio Vargas Dias-Toledo from Complutense University in Madrid, selected the works available at the BNE that are 'of the greatest significance for each core,' according to Manuel de Morais Sarmiento Pizarro.

The first section is dedicated to 'precursors and the historical-literary contextualization of Portugal.' The second section aims to demonstrate Camões' cultural environment, particularly 'classical, peninsular, and Italian works and authors who had some decisive influence' on Camões.

The third section focuses on 'Camões' literary world.' This is where visitors can see a selection of works by the Portuguese author held at the BNE, such as first editions or translations of 'Os Lusíadas' into Castilian. This section also includes other works by Camões, as well as the edited edition of 'Os Lusíadas' by Manuel de Faria and Sousa, published in Madrid in 1639, which highlighted the BNE as a 'significant moment in the canonization process of Camões in Castilian literature.'

The fourth section of the exhibition is dedicated to 'the projection of Luís de Camões in Hispanic culture' and includes a selection of works from the 'Hispanic literary world' by authors such as Rosalía de Castro, Francisco Villaspas, and Jorge Luis Borges.

According to the BNE, the exhibition concludes with the Spanish writer Antonio Muñoz Molina, author of the book 'A Solitary Walk Among People,' whose title is taken from the poem 'É um andar solitário entre a gente' from the sonnet 'Love is a fire that burns without being seen' by Camões.

The exhibition 'Camões. Life, Work, and Presence in Hispanic Culture' is the result of cooperation between the Government of Portugal and the BNE (which is under the supervision of the Spanish Ministry of Culture). It is part of the program developed within the framework of the Mission Structure for the centenary of the birth of Luís de Camões, scheduled for the period 2024–2026. The involved bodies consider this exhibition a 'culmination' and hope to 'complete with a golden key' the international program of these celebrations.

TMoCA Exhibition Explores the Representation and Conceptualization of Iran in Artworks
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TMoCA Exhibition Explores the Representation and Conceptualization of Iran in Artworks

The Tehran Museum of Modern Art (TMoCA) will present an exhibition titled 'In Search of Iran: From the Collection of the Tehran Museum of Modern Art,' which opens on Saturday afternoon. According to Mehr, the exposition analyzes how the concept of 'Iran' is presented and understood through the lens of works by various artists held in TMoCA.

The exhibition touches upon the national significance of the TMoCA collection in the history of modern Iranian art, examining the diverse ways in which artists experience and interpret 'Iran.' A statement for the exhibition reads: 'We are not asking which work is more Iranian; rather, we are asking how Iran has served as an object of vision and representation, and how it persists in modes of seeing and creation. The exploration of Iranian identity in this exhibition begins with the unique experience of the artists—an experience that is sometimes explicitly the subject of the work, and sometimes manifests in the style of expression and construction. Belonging to Iran can be accompanied by memories of place, daily life, migration, or a sense of loss, taking various forms in each artist's work.'

'The 'In Search of Iran' exhibition invites the viewer to reconsider their own perception of Iran when encountering these works. In these pieces, the soil sometimes becomes the material of the work itself, writing transforms into a mode of seeing, and objects retain traces of life and human memory. The presence of familiar symbols does not predetermine the meaning of the work, just as their absence does not necessarily imply a detachment from the Iranian experience.'

The exposition is divided into seven sections, each curated around a specific question, offering the viewer parallel paths for interpreting the artworks. These paths do not follow the chronological sequence of art history; instead, visual and conceptual connections between the works allow for exposure to different interpretations. From this perspective, no single landscape, face, or motif serves as the sole representative of the Iranian experience.

More than one hundred pieces from the collection of modern Iranian art will be featured in the exhibition, including works by artists such as Sohrab Sepehri, Parviz Tanavoli, Parviz Kalantari, Hossein Zenderoudi, Farah Osuli, Reza Maafi, Mohammad Ehsaei, Bahman Mohasses, and others. The exhibition will be open to the public from Sunday until mid-December.

Founded in 1977, the museum houses over 4000 exhibits, including world-class Iranian, European, and American paintings, engravings, drawings, and sculptures from the 19th and 20th centuries. As the largest collection of Western art in the East, it encompasses works from almost all artistic periods and movements.

The museum was designed by Iranian architect Kamran Dibay, who incorporated elements of traditional Persian architecture. The building itself can be seen as an example of contemporary art in the style of the underground Guggenheim museum. Most of the museum grounds are underground, featuring a circular path descending below and galleries branching outwards. In the museum gardens, Western sculptures by artists such as Ernst, Giacometti, Magritte, and Moore can be found.

Iranian Leader's Office Held Youth Development Program in New Delhi
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Iranian Leader's Office Held Youth Development Program in New Delhi

In New Delhi, the office of the representative of the leader of the Islamic Revolution of Iran gathered university students, scholars, and specialists for the first educational event, 'Young Muslim 360°,' on October 21. The event took place at the Iranian House of Culture.

This initiative was developed under the academic guidance of Dr. Saeid Mohammad Ali Aun Naqvi and aims to address the intellectual and ethical challenges faced by modern Muslim youth. The program seeks to integrate traditional Islamic scholarship with contemporary academic approaches.

Prominent figures attended the meeting, including Ayatollah Dr. Abdul Majid Hakimelahi, the representative of the leader of the Islamic Revolution in India, as well as Maulana Saeid Abdul Kasim Rizvi and retired Deputy Inspector General (DIG) Saeid Jamal Tahu.

Discussions covered six main topics, ranging from digital literacy and self-confidence to professional ethics and personal responsibility. Instead of viewing religion and modern technology as separate fields, the curriculum presented them as interconnected elements of daily life.

The organizers implemented a structured 30-day online mentorship plan for this event. This follow-up mechanism utilizes personalized digital dashboards, self-reflection exercises, and progress tracking to help participants apply the seminar material in practice.

By combining seminary traditions with university research, this initiative aims to create a sustainable model for youth development across India. The office plans to expand these educational efforts to other major Indian cities, striving to cultivate principled leadership, intellectual resilience, and constructive citizenship among the younger generation.

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