Kangana Ranaut returns to horror films alongside 'Baahubali' star Rana Daggubati

People often say phrases like 'You are a boy, and you never cry' or 'Boys don't help with housework'—these are attitudes instilled in boys from childhood. There is a concept of toxic masculinity, which was long accepted, although it is discussed more often today, and its meaning has changed. However, there was a time when women did not interfere in a man's life regardless of his actions.

Previously, masculinity was associated with strength and dominance. But what happens if a girl appears in this world built on concepts of masculinity, capable of shaking these ideas? This is the story presented by Thai film director Karthik Subbaraj in his film 'Dorothy,' which recently premiered on Netflix. Before its theatrical release, the film caused a significant stir in Tamil cinema, and after moving to OTT platforms, it is being discussed even more actively, being called one of the best Tamil films of the year.

The plot tells the story of two close friends, Karthik (Rishikant) and Subbu (Sannanth), who have been friends since childhood. In youth, Karthik is portrayed as a weak and frightened child, while Subbu is the bravest. Subbu lost his mother and sister early; his father, Visil (Muthukumar), is a man who is not afraid to display his masculinity, and his older brothers share this view.

Over time, Karthik and Subbu undergo significant changes. Karthik transforms from a timid child into a brave and fearless man, while Subbu becomes weaker and more sensitive, losing his initial courage.

Dorothy (Kirthi Suresh) enters the lives of Subbu and Karthik, bringing joy to Subbu. However, Dorothy dies one day due to men in her house. This tragedy has an extremely negative impact on Subbu, as if someone has ripped out his soul. After losing his mother and sister in childhood, he can no longer cope with the shock of Dorothy's death. As a result, he commits an act that deeply damages his family's reputation, and his entire life turns upside down. The step he takes is revealed to the viewer upon watching the film.

In the trailer, director Karthik Subbaraj did not reveal many details, but a suggestion arises about serious changes in the lives of Karthik and Subbu. However, the changes shown in the film deeply affect the viewer's consciousness. Through Subbu's fate in 'Dorothy,' the viewer can understand the importance of self-identity and acceptance in society. The film shows how a person is forced to hide their true self and wear a mask under societal pressure.

The theme addressed by director Karthik Subbaraj is related to transgenderism. He aimed to show the characters' struggle with complete truth and fearlessness. This film is not for everyone; it is made for a mature audience ready to openly look at such topics. The director deserves credit for daring to present this story on the big screen. The emotions touched upon in 'Dorothy' cause the viewer discomfort and make them think about the value of women in this world.

Although the film is not without flaws, it dedicates a lot of time to plot development. It would have been beneficial to show a bit more of Dorothy's story to strengthen the emotional connection with her character, but the director quickly shifted attention to Subbu and Karthik. Even in the character of Karthik's mother, whom Subbu considers his mother, there is a lack of emotion. The only strong bond between the characters in the film is observed between Karthik and Subbu. The musical score in the film is also good; it creates the necessary emotional moments.

Regarding the main actors, Rishikant's performance as Karthik was very good; the viewer feels an emotional connection with him. His character has his own journey, as does all of Karthik Subbaraj's films. Rishikant fully embodied his character and succeeded in doing so. However, Sannanth attracts the most attention. The transformation he demonstrated in the role of Subbu is praiseworthy. Sannanth breathed life into every scene; the film 'Dorothy' largely depended on him. His performance became the real highlight of the film, and he handled the role perfectly. Through Subbu, Sannanth conveys all the necessary emotions. Furthermore, Kirthi Suresh, although appearing briefly, impresses in the role of Dorothy. Her innocence and smile touch the viewer's heart.

The Bollywood film industry often attempts to combine spy plots, patriotism, and comedy to entertain audiences and evoke excitement. However, this formula does not always work. The film 'Udta Tir,' starring Ayushmann Khurrana and Sara Ali Khan, is one such attempt, merging a spy mission, identity confusion, and comedic elements. The question arises whether the film can harmoniously weave all these elements into an engaging spectacle or if the plot will become convoluted.

Despite the fact that Bollywood already has many films about patriotism and espionage, 'Udta Tir' stands out by adding a comedic touch to this mix, causing the story to gradually transform into a source of amusement. The picture's strength lies in its unique approach, where mistaken identity, espionage, and funny situations collectively entertain the audience.

In the film, Ayushmann Khurrana plays Vikrant, who believes he is an employee of the Indian intelligence agency CTS. However, the main twist is that he is actually Bilal, a Pakistani agent whose memory was lost after an accident. Subsequently, he begins to hunt his own people. This play with identities generates both comedy and suspense.

The film requires about half an hour to unfold the plot and characters, so patience may be needed at the beginning. But as the story progresses, amusing events and a series of unexpected twists create the desired atmosphere. Although the first half after the interval seems a bit sluggish, the film picks up pace later. There are no moments in the movie that leave the viewer tense; small comedic jokes and gags that appear occasionally do an excellent job of making people laugh.

Ayushmann Khurrana once again demonstrates a departure from his usual roles. He convincingly portrays the confusion and naivety of a person caught between two different identities. His performance supports the film's narrative and looks good even in comedic scenes.

Rahul Bose's performance is particularly striking. It is interesting to watch him in such a humorous role, and he repeatedly steals the public's attention. His comedic timing enhances the film's entertainment value, and his character is likely to be remembered for a long time.

The late actor Mukul Dewa also leaves his mark on the film. His contribution adds substance to the story, and his presence on screen feels special. Watching 'Udta Tir' as his last film might evoke strong emotions, as it is an important moment related to his memory for viewers.

Suhail Nayyar gets a good role and utilizes it fully. Sara Ali Khan and Smita Tambe match their characters. Furthermore, Ram Kapoor, Bridgendra Kala, and Gulshan Grover also add an element of entertainment to the plot. Thanks to the supporting cast, the comedy becomes brighter in many scenes.

The songs in the film do not make a strong impression and seem mediocre. On the contrary, the background music enhances the suspense and comedic moments of the plot. The cinematography and editing are done reasonably well, although the pacing of the narrative could be better in some places.

Director and writer Akash A Kaushik presents an entertaining film that combines patriotism, action, suspense, and comedy. Although there are moments of slowing down the pace, the powerful plot twists, Rahul Bose's brilliant comedic acting, and Ayushmann's unique style compensate for these shortcomings. If you are looking for a film where confusion caused by mistaken identity and constantly changing situations provide a reason to laugh, then 'Udta Tir' is worth watching.