Traditional Fried Bread from South Khorasan Included in Iran's Intangible Heritage List
Read more
Tehran Times
www.tehrantimes.com

Traditional Fried Bread from South Khorasan Included in Iran's Intangible Heritage List

The traditional skill of preparing Nan-e Roghan-Jushi, a fried bread deeply rooted in the cultural and religious traditions of South Khorasan province, has been added to Iran's National List of Intangible Cultural Heritage.

Fariba Kahani, an employee responsible for registering intangible heritage at the provincial Department of Cultural Heritage, Tourism, and Crafts, reported that this bread is traditionally prepared on the fourteenth day of the month of Sha'ban (the eighth lunar month) during a local religious festival known as Barat.

Families who lost loved ones in the previous year prepare this bread as an act of charity in memory of the deceased and then distribute it to relatives, friends, and neighbors.

The preparation process involves mixing flour, water, turmeric, aromatic spices such as coriander seeds, and yeast. After the dough rests for about one and a half to two hours, small portions of the dough are rolled out and fried in hot oil.

Kahani emphasized that this tradition reflects religious beliefs, charitable practices, and family ties. This craft has historically been passed down from mothers to daughters, with women playing a key role in its preservation.

Similar stories

Restoration of Sasanian bas-reliefs in Naqsh-e Rustam nears completion after three decades of work
Read more
www.tehrantimes.com

Restoration of Sasanian bas-reliefs in Naqsh-e Rustam nears completion after three decades of work

The restoration work on the Sasanian era bas-reliefs at Naqsh-e Rustam, one of Iran's most important archaeological sites, is nearing completion. These conservation efforts began back in the 1990s, and work continues on the bas-relief depicting Shapur II, an object employee reported.

Mostafa Rahshandehkhou, head of the Naqsh-e Rustam complex and curator of its conservation and restoration workshops, told the Iranian Students' News Agency (ISNA) that over many decades, more than eight Sasanian bas-reliefs have been restored to preserve their artistic and historical value.

The current work on the Shapur II bas-relief marks a decisive stage in this long-term project, bringing the restoration program to its final phase, according to Rahshandehkhou.

Rahshandehkhou emphasized that preserving historical monuments requires more than just physical intervention. This process includes detailed research, expert assessments, making informed decisions, and the careful application of appropriate conservation methods.

According to information provided to ISNA, 'the main goal is to preserve the authenticity of the monument, control destructive factors, and create conditions that will help ensure its long-term survival.'

He added that compiling a restoration plan tailored to the condition of the Shapur II bas-relief, as well as its review and approval by relevant authorities, was particularly important. The work, based on the approved plan and executed according to professional conservation standards, guarantees the adequacy of interventions to the specific circumstances of the monument.

The employee noted that the experience gained over decades at Naqsh-e Rustam has demonstrated the importance of continuous preservation efforts, technical expertise, and careful monitoring when protecting archaeological remains.

In his words, historical monuments are subject to various destructive influences over time, making long-term planning necessary for their preservation for future generations. He also stressed that the value of the project lies not only in the completion of the restoration work but also in the methods used, adherence to scientific principles, and responsibility towards cultural heritage.

Rahshandehkhou concluded that the acquired experience can serve as a model for other preservation projects, emphasizing that understanding the characteristics and condition of each monument and selecting suitable techniques are key to preventing unnecessary interventions and increasing the longevity of restoration work.

Naqsh-e Rustam, located in Fars province near Persepolis, contains monuments from various periods of ancient Iranian history. The site is particularly significant due to its Achaemenid rock-cut royal tombs and Sasanian bas-reliefs carved into the cliff face.

The Sasanian Empire, which ruled Iran from 224 to 651 AD, left behind a vast artistic and archaeological legacy. The bas-reliefs at Naqsh-e Rustam depict military victories, royal ceremonies, and scenes related to the power of Sasanian rulers, providing important information for studying the political history and artistic traditions of that period.

The rock monuments at this site are adjacent to tombs attributed to Achaemenid kings, making Naqsh-e Rustam an important archaeological landscape encompassing various eras of ancient Iranian civilization.

These bas-reliefs are not merely works of art; they serve as historical records, helping researchers study the royal representation, political power, and cultural traditions of the Sasanian period. The site's proximity to Persepolis, the ceremonial capital of the Achaemenid Empire and a UNESCO World Heritage site, further underscores its importance in Iran's archaeological heritage.

Iranian Rural Settlements Worth Visiting Beyond Famous Cities
Read more
www.tehrantimes.com

Iranian Rural Settlements Worth Visiting Beyond Famous Cities

Iran's historic cities are renowned for their magnificent mosques, Persian gardens, traditional bazaars, and Silk Road heritage. However, beyond well-known locations such as Isfahan, Shiraz, and Yazd, lies another side of the country—a landscape of mountain villages, ancient mud-brick settlements, and rural communities whose traditions offer a different perspective on life in Iran.

These places, scattered across the country's mountains, valleys, and desert outskirts, demonstrate the diversity of Iran's geography, architecture, and cultural heritage. Some can be visited as a day trip from a nearby city, while others require more time and effort to explore. Together, they give travelers an opportunity to look beyond the most famous attractions and get acquainted with the character of rural regions.

Kandovan: Life Inside Volcanic Rock

In northwestern Iran, Kandovan stands out for its unusual architecture. Located near Tabriz, this village is known for its conical rock formations into which generations of residents carved living quarters and other spaces. Kandovan is often compared to Cappadocia in central Turkey and belongs to a small group of settlements where people continue to live in rock-cut dwellings in modern times. Its unique landscape, shaped by volcanic activity and centuries of human adaptation, gives the village a look distinct from most Iranian settlements.

Unlike archaeological cave sites, which are mostly preserved as historical monuments, Kandovan remains a living community. Its houses illustrate how residents adapted traditional building methods to the surrounding geology and climate. Furthermore, this village is one of the most accessible rural destinations for tourists visiting Tabriz, making it a convenient introduction to rural Iran.

Palangan, a Village Climbing the Mountains of Kurdistan

In Kurdistan province, western Iran, Palangan is famous for its terraced architecture and dramatic mountainous setting. Traditional houses rise above one another along the slopes, forming a compact settlement that seems to grow out of the surrounding landscape. This village offers insight into Kurdish rural life, including local culinary traditions and the close connection between communities and their natural environment. Its river, mountain scenery, and stone houses make it a popular spot for visitors from surrounding areas.

Local restaurants serving river fish provide an opportunity to taste regional cuisine, while the surrounding hills serve as a place for walks and exploration. Palangan is among several terraced villages located in the Kurdish mountainous regions of western Iran. Although some rural settlements in this area remain relatively inaccessible, Palangan can be reached from nearby urban centers, including Sanandaj, with possibilities for further travel.

Masuleh: Where Rooftops Become Streets

Further north, in Gilan province, Masuleh presents another striking example of architecture adapted to mountainous terrain. Its traditional houses are built along a steep slope, where the roof of one building often serves as a passage or courtyard for the house situated above it. This arrangement gives the village its characteristic stepped appearance and makes pedestrian movement an integral part of its architectural identity.

Located amidst the misty mountains of northern Iran, Masuleh is known for its humid climate, lush vegetation, and frequent clouds hanging over the settlement. Its popularity among domestic tourists means that the streets can become crowded, especially during peak travel periods. Nevertheless, walking trails leading into the surrounding mountains offer a chance to escape the busiest spots and enjoy the scenery. Within the village, rooftops and narrow paths remain important places for daily encounters, reflecting a strong sense of community. Thus, Masuleh is both a picturesque place and an example of how traditional settlements have evolved in response to steep topography and local living conditions.

Ghazor Khan: Gateway to the Alamut Valley

For travelers interested in history and mountain landscapes, Ghazor Khan in Qazvin province offers a combination of both aspects. This village is best known as the entrance to the UNESCO World Heritage site of Alamut Castle, a fortress associated with the Nizari Ismailis, members of whom were known as Assassins in medieval sources. Perched high above the Alamut Valley, the fortress held a strategic position and became an important center of the Nizari Ismaili state. Its history is closely linked to Hassan-i Sabbah, who established his base there in the late 11th century. The Mongol campaign led by Hulagu Khan resulted in the capture and destruction of the fortress in the 13th century. Although much of the original structure has disappeared, the remaining ruins and the surrounding mountain landscape continue to attract visitors. Besides the historical site, Ghazor Khan is a quiet mountain village surrounded by orchards, including apple, apricot, and cherry trees. In spring, the blooming trees add color to the landscape, and hiking trails offer opportunities to explore the valley. The trip requires more planning than visiting villages near major cities, but the combination of history, scenery, and rural life makes it a worthwhile destination.

Abyaneh: A Living Link to Iran's Past

Located near Kashan, at the foot of Mount Karkas, Abyaneh is among Iran's most famous historical villages. Its red earthen buildings, wooden balconies, narrow alleys, and traditional clothing give it a distinctive look. The settlement is often associated with pre-Islamic Iran, although its long history spans many periods. The architecture reflects the use of local materials, particularly red soil, which gives the buildings their characteristic color. Abyaneh is also notable for preserving elements of the local language and cultural traditions. Some elderly residents speak a distinct local dialect, and traditional dress remains an important part of the village's cultural identity. Men traditionally wore dark coats and loose trousers, while women's clothing is known for its colorful patterns and white headscarves. These customs provide a visible link to regional traditions that have survived amid broader changes in Iranian society. However, Abyaneh's popularity has created challenges. Visitors can fill its narrow streets, especially during peak tourist seasons, and the village can sometimes feel more like an open historical exhibit than a typical rural community.

Nain: Desert Heritage Off the Main Tourist Routes

Between Yazd and Tehran, Nain offers a quieter glimpse into Iran's desert heritage. Although technically a small town rather than a village, it merits attention due to its historic architecture and relatively modest place on many tourist itineraries. The town is known for its historic Jameh Mosque, old bazaar, traditional cisterns, and the ruins of Narenj Castle. These structures together reflect the architectural and engineering traditions that helped communities survive in Iran's arid central regions. Traditional cisterns, known as ab-anbar, were designed to store water for use during dry periods. Along with other water management structures, they demonstrate the importance of adapting settlement models and architecture to scarce water resources. Parts of Nain's historic fabric have deteriorated, and some old buildings are in poor condition. Nevertheless, the town's less commercialized atmosphere can offer a different experience compared to more visited heritage sites. The contrast between historic quarters and newer districts also shows how traditional settlements have evolved as residents adapt to modern life.

Haranak: Traces of an Ancient Silk Road Settlement

Northeast of Yazd, Haranak is known for its abandoned mud-brick settlement and atmospheric ruins. The village developed along historical travel routes and is connected to a network of settlements supporting movement through central Iran. Its old buildings, narrow alleys, and earthen walls form a dense architectural landscape. Some structures are believed to date back many centuries, although the history of individual buildings varies. Walking through the abandoned quarter provides insight into how communities once organized their homes and passages in a desert environment. From elevated points, visitors can see the settlement against the backdrop of surrounding mountains and open land. The ruins are also vulnerable. Weathering, erosion, and uncontrolled visitor access can accelerate the decay of fragile earthen structures. Responsible exploration of this area means avoiding unstable buildings, staying on designated paths where possible, and respecting any closed zones. Haranak can be combined with visits to Meybod and the Zoroastrian pilgrimage site Chak-Chak, making it a possible addition to a broader route from Yazd.

Meybod: Desert Architecture and Ingenious Design

Meybod, another historic settlement near Yazd, offers a broader view of the architectural traditions of Iran's central desert. Although it is a town, not a village, its historic buildings make it a worthwhile stop for travelers interested in the region's cultural heritage. One of the main attractions is Narenj Castle, a large earthen fortress whose origins date back to antiquity. The town also preserves traditional cisterns and a historic pigeon tower. Pigeon towers were built to shelter birds and collect their droppings, which were used as agricultural fertilizer. Their construction reflects the ingenuity of communities that relied on local materials and devised practical solutions to meet daily needs. The pigeon tower in Meybod is one of the notable surviving examples of this building tradition in Iran. Together, the castle, cisterns, and pigeon tower illustrate how desert architecture served practical purposes while becoming part of the region's distinctive cultural landscape.

Why Iran’s Rural Destinations Matter

Exploring Iran's villages and small historic settlements offers more than just a change of scenery. These places reveal how people have adapted to various environmental conditions—from volcanic formations in the northwest to the steep mountains of Kurdistan and the arid landscapes of the central plateau. Their architecture reflects local responses to climate, geology, and available resources. Their languages, clothing, food, and customs also demonstrate the country's regional and ethnic diversity. For travelers whose itineraries focus on Iran's famous cities, adding even one or two rural destinations can broaden their understanding of the country.

Iran and Syria jointly inscribed the tradition of making and playing the oud on the UNESCO Intangible Heritage list
Read more
www.tehrantimes.com

Iran and Syria jointly inscribed the tradition of making and playing the oud on the UNESCO Intangible Heritage list

The oud, a stringed instrument with a characteristic pear-shaped body and resonant melodies, has long been part of the musical traditions of Iran and the wider West Asian region. The mastery of its creation and performance, passed down through generations of masters and musicians, received international recognition in 2022. Iran and Syria jointly inscribed this tradition into the UNESCO List of Intangible Cultural Heritage of Humanity.

This inscription was adopted at the 17th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, held in Rabat, Morocco, from November 28 to December 3, 2022. Thanks to this addition, the number of elements of Iran's intangible cultural heritage increased to eighteen.

The oud is a stringed instrument resembling a lute, known for its warm and expressive sound. Musicians play it by resting the instrument on their leg, using one hand for fingerpicking and the other for plucking the strings. The instrument's ability to create rich melodic and harmonic tones makes it suitable for both solo performances and ensembles accompanying folk songs and dances.

Creating an oud requires patience and specialized woodworking skills. The most distinctive part is the pear-shaped resonator box, which is usually made of walnut wood and plays a key role in shaping the instrument's resonance. According to traditional methods described in Iran's nomination, making an oud can take about 25 days, including stages of wood preparation and processing. Water and steam are used to increase the durability and ease of wood processing.

A typical oud has five pairs of strings, although some variations may include a sixth string. Differences in construction and string tension allow musicians to produce a wide range of timbres and adapt the instrument to various musical styles.

Beyond its physical form, the oud embodies a body of knowledge encompassing material selection, woodworking, instrument construction, and musical performance. Its historical presence is reflected in artistic depictions, literary works, and miniature painting, serving as a testament to its place in the region's cultural memory.

In the southern regions of Iran, this instrument and its associated musical traditions hold particular significance among certain Arab and Bakhtiari communities, especially in the provinces of Khuzestan, Bushehr, and Hormozgan. Oud music is also practiced and valued in other parts of the country, including Tehran, Kurdistan, Shiraz, Isfahan, and Khorasan.

The tradition is maintained through formal education and apprenticeship. Music schools, art centers, colleges, and universities teach oud playing, while experienced performers pass on their knowledge through direct instruction. The making of the oud, traditionally performed mainly by men, is also attracting more women, expanding participation in this craft.

Iran included this tradition in its National Heritage List as early as 2018, before submitting a multinational application with Syria for UNESCO recognition.

The inclusion of the oud in the UNESCO list complements Iran's extensive registry of intangible cultural heritage, which includes Radif Iranian music, Bakshi music from Khorasan, the art of making and playing the kamancheh, the traditional craft of the dotar, carpet weaving, Ta'zieh, Nakkali storytelling, and miniature painting.

The joint recognition of oud craftsmanship and performance underscores the importance of preserving living traditions that transcend national borders. Their continuity depends not only on preserving techniques and instruments but also on ensuring that the associated knowledge, music, and cultural practices remain part of the daily life of future generations.

Popular