Rio artist Rodrigo Torrero releases album 'Erre' with nine original songs inspired by magical realism
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Grupo Globo
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Rio artist Rodrigo Torrero releases album 'Erre' with nine original songs inspired by magical realism

Rodrigo Torrero, a prominent figure in the Rio de Janeiro indie scene, is working to consolidate his career as a singer and songwriter. Graduated in Music from Unirio, he began composing in 2013 and released his first recording with the EP “Uma noite de sol” in 2019, six years after starting to create.

After releasing six singles, Torrero presents his first full album, titled “Erre,” scheduled for release on November 6th. This work follows the singles “Todos os assuntos” and “Mury” and represents a collaboration with Carol Viani. The album “Erre” gathers nine original compositions, fitting into a genre that can be classified as new MPB, although it features touches of pop.

The album's recording featured musical production by Vinicius Castro and involved the participation of the artist's close friends and colleagues. Antonia Medeiros, a music college classmate and member of the vocal group Consoantes, participates in the track “Pouca vergonha.”

Regarding the song “Velha farra,” it is shared between Rodrigo Torrero and Guilherme Imia, another college mate and member of the Consoantes group, as well as Tom Rossi, a childhood musician friend. This song is Torrero's tribute to Totó Joey, a family dog who passed away in 2016, and is inspired by “Diana,” composed by Toninho Horta and Fernando Brant in 1977, which was also written in memory of a pet dog.

Other tracks that are part of the entirely original repertoire of “Erre” include “Errar,” “Ir,” “Julia,” and “Mirante.” These songs are situated in a universe that Rodrigo Torrero describes as “magical realism,” a concept built from the fusion of fantastic world references, such as the saga of “The Lord of the Rings,” with everyday magical elements.

Torrero reflects on his works, stating that they “embrace the uncertainty of what is around the bend and allow themselves to be enchanted by what is around them,” expressing hope that the album “Erre” will be a success in his journey in independent music.

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Indian Air Force Tejas Fighter Demonstrated Impressive Performance at Air Show in Varanasi
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timesofindia.indiatimes.com

Indian Air Force Tejas Fighter Demonstrated Impressive Performance at Air Show in Varanasi

The city of Varanasi hosted the celebrations for the 94th Day of the Indian Air Force. Prime Minister Narendra Modi and Defence Minister Rajnath Singh attended the Indian Air Force air show as part of the 'Wings over Ganges' event in Varanasi on October 25.

During the display, aircraft such as the Rafale and the Light Combat Helicopter (LCH) Prachand, along with the Sarang helicopter demonstration team, participated. Aircraft from the Navy and Army also took part in the event, demonstrating coordination among the three services.

This event took place against the backdrop of the Indian Air Force's emphasis on synergy and integration as the armed forces prepare for future multi-domain conflicts. Chief of the Air Staff, Air Chief Marshal AP Singh, noted that the three services must work more closely, and dramatization should focus on the effective use of air power within an integrated structure.

Dwayne Johnson in a New Look as an Elderly Character in 'Lizard Music'
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www.aajtak.in

Dwayne Johnson in a New Look as an Elderly Character in 'Lizard Music'

Despite the fact that Ben Safdi's film 'The Smashing Machine' last year did not achieve great box office success for Dwayne Johnson, the actor remains enthusiastic. He is preparing to collaborate again with director Ben Safdi on a completely new project titled 'Lizard Music,' which is intended for a young audience.

A feature of this new picture will be another radical experiment with Dwayne Johnson's appearance. This time, he will play the role of an elderly person aged 70. Recently, shots from the filming of 'Lizard Music' in Brooklyn, New York, have appeared. These photos surprised fans because they could not believe that the man in a beige jacket, bucket hat, blue shirt, and patterned tie was none other than Dwayne Johnson, former WWE champion and Hollywood action star.

To create the look for the film 'Lizard Music,' Dwayne and Ben Safdi once again used prosthetics, or artificial makeup. In 'The Smashing Machine,' Johnson underwent significant changes in his appearance to embody the character of former MMA fighter Mark Kerr. While prosthetic makeup was used for 'Lizard Music' to make 54-year-old Dwayne appear 16 years older, his character in the film is called 'Chicken Man.'

'Lizard Music' is based on the popular children's book of the same name by Daniel Pinkwater, published in 1976. The story centers around a little boy who one night sees strange lizards playing music on television. After this, he befriends a mysterious man who has an old chicken. The plot promises an interesting blend of fantasy, mystery, and unusual characters.

In the film, besides Dwayne Johnson, actors such as Rachel McAdams, Coleman Domingo, Jeff Goldblum, Alicia Silverstone, and Regina Hall will also participate. The task of transforming Dwayne Johnson into this new look was assigned to prosthetic makeup artist Kazu Hiro. Previously, Kazu worked on Alejandro Inárritu's film 'Digger,' where he portrayed an American oilman aged 65, and also participated in changing Dwayne's appearance in 'The Smashing Machine.'

Nevertheless, despite the massive changes made for these films, it did not guarantee box office success. 'The Smashing Machine,' shot on a budget of about $50 million, collected approximately $21.1 million worldwide. The film 'Digger' also failed to meet audience expectations at the box office.

Previously, at a special session dedicated to his career at the Toronto International Film Festival, Dwayne expressed his enthusiasm for yet another change in his image. He noted: 'I am very happy that I am being given the opportunity to change again, as I did in 'The Smashing Machine.' It means I will have to eat less chicken.'

During the transformation process, the actor lost approximately 30 pounds, which is about 13.6 kilograms. 'Lizard Music,' which is being filmed with support from Amazon MGM Studios, is scheduled to be released in theaters on December 25th of next year, for Christmas.

Before the release of 'Lizard Music,' Dwayne Johnson will also appear in a Christmas release in his usual action persona. He will once again play Dr. Alexander Brewston in Jake Cassden's film 'Jumanji: The Open World.' This film is considered the fifth and final installment in the 'Jumanji' franchise. Jack Black, Kevin Hart, Karen Gillan, Nick Jones, Aquafina, Alex Wolff, and Danny DeVito will also participate in it.

Martin Pelser: The one-eyed South African national team player who dominated the All Blacks
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iol.co.za

Martin Pelser: The one-eyed South African national team player who dominated the All Blacks

South African national team fans (Springboks) are known for their support, often associated with the idea that they have one eye, but there is a story about a team flanker who literally only had one eye.

Martin Pelser lost his left eye in an accident when he was only three years old, after driving through his father's car windshield. Despite this, he became an outstanding flanker for the Springbok team.

The only adaptation he made to the game was positioning himself closer to the right side of the scrum so that his single eye could survey the open field.

Colin Meads, whom many consider the greatest rugby player in history, highly praised Pelser. Over 15 years and 133 matches for New Zealand, the All Blacks player dominated world rugby like a colossus.

In 1974, when Meads compiled his all-time best players squad, Pelser—a humble mechanic and turner from Johannesburg—was included in his selection as one of the flankers. Meads noted: 'I think first of Martin Pelser, the one-eyed Springbok. What a player he was. He was one of the strongest and most skilled players I ever played with. Pelser was just a headache for the 1960 All Blacks (when they toured South Africa). I say this in the best possible sense. He gave huge trouble to our halfback Kevin Bricskow, and these two constantly clashed throughout the tour.'

Meads continued: 'He tolerated no nonsense from me or from another All Blacks legend, Keith Tremaine. During this tour, we watched the backline play. One would push Pelser, and the other would jump for the ball. We alternated. But when Keith pushed Pelser, Pelser hit him. And when it was my turn to watch Pelser while Keith jumped, Pelser didn't hesitate. I was diplomatically trying to hide in the developing ruck when he hit me too.'

Pelser started playing late. Before sixteen, he played football because his mother feared he would injure his single eye in rugby. However, the toughness of rugby proved too appealing, and once he started playing, he flourished for two main reasons.

Firstly, he subjected himself to an relentless fitness regime, which paved the way for the second reason for his success—he said the most useful training advice he received was never to walk on the rugby pitch. He never did and was the most active player on the field.

On Monday after New Year's, he would run for an hour every morning, and every other day he would do another hour, but the distance had to be greater than the previous day. At that time, there were no strength training sessions, and Pelser explained that his powerful physique was the result of carrying heavy equipment in work clothes.

He was so resilient that he was disappointed when the referee blew the final whistle, saying, 'But I'm just warming up.' After his debut for the Springboks against touring France in 1958, he was inevitably asked how his vision impairment affected his play. He replied: 'Would I be a better player if I had two eyes? I don't think so. It never bothered me in childhood, and it never bothered me as a player. I feel I always had perfect vision, and in any case, rugby is a simple game for me—I just like chasing the ball.'

When the All Blacks and Meads toured in 1960, the chase between halfback Bricskow and Pelser became a curious spectacle across all four matches of the series; 'Jackal' relentlessly hunted the 'hare'. After the Boks won the series 2-1, with one draw, the renowned New Zealand critic Terry McLean rated Pelser as the best Springbok player of the tournament: 'Martin Pelser was Bricskow's nemesis and undoubtedly the best free-playing forward—friend or foe—of this tour, and no one contributed more to the Boks' victory in the series than he did.'

McLean added: 'In the fourth match, Bricskow was tackled as if he had been hit by a battle axe, except the axe was a fist, and the handle was Pelser, and a South African journalist swore it was the best left hook since Joe Louis.'

Nevertheless, Pelser maintained that he never hit unless provoked. 'I wasn't a dirty player, but I felt my duty as a Springbok was to respond if I was hit first.' Reports suggest that the entire Boet Erasmus Stadium crowd in Port Elizabeth saw this tackle as clearly as they saw Pelser score the winning try in the fourth match to secure the Boks' series victory. This prompted McLean to write: 'Cheers and cheering spectators surrounded great Pelser and lifted him onto their shoulders, and it was deserved because he completely shattered New Zealand's hopes that day.'

Pelser played 11 matches from 1958 to 1961, losing only one, before his career tragically ended at the age of 27.

For some time, he was pursued by scouts from the British rugby league, and although he declined numerous offers to join professional play in England, he agreed to help organize the rugby league in South Africa. He was paid 3000 Rand for these efforts, but the venture failed completely, and the strict rules of the rugby union forced him out of amateur play. Rugby only became professional in 1996.

Pelser took a philosophical approach to the end of his career after the failure in rugby league. 'The money I got helped me buy a house, and that was a big help for a mechanic and turner.'

And like Forrest Gump, Pelser never stopped running. He switched to marathons and won many medals in his age group, running Comrades in deep old age.

Springbok legend Frik du Plessis loves to tell the story of Martin Pelser. 'Martin debuted for the Boks in a match against France in Newlands in 1958. This Frenchman constantly caused problems. In that era, rugby had no yellow or red cards, and you had to do something radical to get an exception. The referee became increasingly frustrated by this guy's constant annoying actions. Suddenly, this fresh flanker completely charged the Frenchman. When the players gathered around the downed rooster, the referee told Martin: 'Thank you, mate, you should have hit him sooner.'

Pelser died in 2018 at the age of 84.

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