Media Tour 'China Walk' Launched in Sanya for ASEAN Partners
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CGTN
cgtn.com

Media Tour 'China Walk' Launched in Sanya for ASEAN Partners

The joint media tour 'China Walk: Vibrant Hainan' 2026 for ASEAN media partners began on October 19th in Sanya, the island province of Hainan in southern China. The event brings together journalists from 11 media outlets across eight ASEAN countries to study the theme of rural revitalization in the Hainan Free Trade Zone (FTZ).

The tour is organized jointly by the Center for Asian and African Languages Programming of China Media Group (CMG) and the Hainan Bureau. The main focus of the tour is on the relationship between the development of the Hainan FTZ and the process of rural revitalization.

Journalists from Cambodia, Indonesia, Laos, Malaysia, Myanmar, Thailand, Timor-Leste, and Vietnam will visit the cities of Sanya and Qijishan, as well as the Linshui Li autonomous county, from October 19th to 24th.

During the reporting period, participants will examine Hainan's efforts in developing unique industries, environmental protection, improving people's lives, and innovations in rural governance. They will also study how the FTZ policy supports rural revitalization and how ecological advantages can transform into development opportunities, highlighting cooperation between Hainan and ASEAN countries in industrial development, joint agriculture, and cultural and tourism exchange.

The tour takes place during the first year of special customs operations in the Hainan FTZ. It also coincides with the 35th anniversary of establishing dialogue relations between China and ASEAN, as well as the fifth anniversary of their comprehensive strategic partnership. The multimedia content created will be distributed through media platforms in ASEAN countries.

'China Walk' is a flagship international media initiative of CGTN, which invites journalists from around the world to personally experience China and cover its development from their own perspective, promoting mutual understanding and cultural exchange.

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Review of 'Udta Tir': A blend of patriotism, drama, and comedy featuring Ayushmann and Sara
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www.aajtak.in

Review of 'Udta Tir': A blend of patriotism, drama, and comedy featuring Ayushmann and Sara

The Bollywood film industry often attempts to combine spy plots, patriotism, and comedy to entertain audiences and evoke excitement. However, this formula does not always work. The film 'Udta Tir,' starring Ayushmann Khurrana and Sara Ali Khan, is one such attempt, merging a spy mission, identity confusion, and comedic elements. The question arises whether the film can harmoniously weave all these elements into an engaging spectacle or if the plot will become convoluted.

Despite the fact that Bollywood already has many films about patriotism and espionage, 'Udta Tir' stands out by adding a comedic touch to this mix, causing the story to gradually transform into a source of amusement. The picture's strength lies in its unique approach, where mistaken identity, espionage, and funny situations collectively entertain the audience.

In the film, Ayushmann Khurrana plays Vikrant, who believes he is an employee of the Indian intelligence agency CTS. However, the main twist is that he is actually Bilal, a Pakistani agent whose memory was lost after an accident. Subsequently, he begins to hunt his own people. This play with identities generates both comedy and suspense.

The film requires about half an hour to unfold the plot and characters, so patience may be needed at the beginning. But as the story progresses, amusing events and a series of unexpected twists create the desired atmosphere. Although the first half after the interval seems a bit sluggish, the film picks up pace later. There are no moments in the movie that leave the viewer tense; small comedic jokes and gags that appear occasionally do an excellent job of making people laugh.

Ayushmann Khurrana once again demonstrates a departure from his usual roles. He convincingly portrays the confusion and naivety of a person caught between two different identities. His performance supports the film's narrative and looks good even in comedic scenes.

Rahul Bose's performance is particularly striking. It is interesting to watch him in such a humorous role, and he repeatedly steals the public's attention. His comedic timing enhances the film's entertainment value, and his character is likely to be remembered for a long time.

The late actor Mukul Dewa also leaves his mark on the film. His contribution adds substance to the story, and his presence on screen feels special. Watching 'Udta Tir' as his last film might evoke strong emotions, as it is an important moment related to his memory for viewers.

Suhail Nayyar gets a good role and utilizes it fully. Sara Ali Khan and Smita Tambe match their characters. Furthermore, Ram Kapoor, Bridgendra Kala, and Gulshan Grover also add an element of entertainment to the plot. Thanks to the supporting cast, the comedy becomes brighter in many scenes.

The songs in the film do not make a strong impression and seem mediocre. On the contrary, the background music enhances the suspense and comedic moments of the plot. The cinematography and editing are done reasonably well, although the pacing of the narrative could be better in some places.

Director and writer Akash A Kaushik presents an entertaining film that combines patriotism, action, suspense, and comedy. Although there are moments of slowing down the pace, the powerful plot twists, Rahul Bose's brilliant comedic acting, and Ayushmann's unique style compensate for these shortcomings. If you are looking for a film where confusion caused by mistaken identity and constantly changing situations provide a reason to laugh, then 'Udta Tir' is worth watching.

Jury composition for the Hollywood African Cinema Connection 2026 festival presented
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iol.co.za

Jury composition for the Hollywood African Cinema Connection 2026 festival presented

The Hollywood African Cinema Connection (HACC) 2026 film festival will gather a jury with extensive experience in filmmaking, post-production, screenwriting, criticism, law, and immersive media.

This year's lineup includes specialists such as Luisa Vanjiku, a cinematographer from Kenya; Jerry Chiemeke, a writer and lawyer born in Nigeria; and Evette Vargas, a writer, director, and producer from the USA.

Luisa Vanjiku

Vanjiku is a film and post-production specialist with over fifteen years of experience working on feature films, television projects, documentaries, and commercials. She worked on the editing of 'Kati Kati,' which represented Kenya at the Academy Awards for Best International Feature Film. This film won the FIPRESCI prize in the Discovery section at the Toronto International Film Festival in 2016.

Her other work as an editor includes 'Country Queen,' shot for Netflix and ARTE, as well as 'Sketchy Africans' and 'Bufis,' which was screened at the Warsaw International Film Festival. Vanjiku graduated from the directing class of the African Creative TV Fellowship program. Additionally, she is a partner and Director of Technical Affairs and Partnerships at the NBO Film Festival, and is a member of the editorial board of the Kenya Film Editors Association.

Jerry Chiemeke

Chiemeke is a writer, journalist, film critic, lawyer, and marketing communications specialist, born in Nigeria and residing in the UK. His works have been published in publications such as Die Welt, The i Paper, The British Blacklist, The Africa Report, Afrocritik, The Johannesburg Review of Books, Olongo Africa, The Lagos Review, and Culture Custodian.

His literary works have been nominated for various awards, including the Pushcart Prize, Ken Saro-Wiwa Prize, Diana Woods Memorial Award for Creative Nonfiction, Best Small Fictions, and Quramo Writers Prize. He is the author of the short story collection 'Dreaming of Ways to Understand You' (2020) and the poetry collection 'Notes for Nnedimma' (2019).

Evette Vargas

Vargas works as a writer, director, producer, and entrepreneur, covering the fields of cinema, television, and immersive media. She co-founded the production company Indigo Reign Films, which produces films, series, and podcasts. She has been recognized as an artist to watch by The New York Times, and her work has been featured in Forbes.

Vargas wrote, directed, and produced the short film 'Confessions,' which won the audience award at the Cannes Film Festival. She sold her drama series 'Muses' to TNT and developed projects for MGM, eOne, and Shout!. She also served as executive producer, screenwriter, and director of the digital series 'Dark Prophet' starring Henry Rollins.

Vargas holds a Bachelor of Fine Arts in Film and Television from Tisch School of the Arts at New York University, and a Master of Fine Arts in Screenwriting from UCLA. The festival will present ten selected feature films, four of which were directed by women. Information about the festival is available on the HACC website, and screenings will take place in the Robben Island Museum Amphitheater.

Amir Khan shares reflections on career and family at Singapore Film Festival
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www.aajtak.in

Amir Khan shares reflections on career and family at Singapore Film Festival

During the Singapore International Film Festival, Bollywood actor Amir Khan experienced strong emotions. He recalled the most challenging period of his acting career and discussed how constant work over three decades prevented him from dedicating time to his family.

Superstar Amir Khan was presented with the 'Screen Icon Award' by renowned Hong Kong director Peter Chan Ho-Song. This emotional moment occurred late in the evening during a conversation with Singaporean comedian Rishi Budhrani when he was asked about a difficult period in his career.

According to Variety, Amir Khan stated: 'During the COVID pandemic, while sitting and reflecting, I realized that about 30 years of my life had passed. It is good if you are completely immersed in work for one or two or five years, becoming obsessed, but if it continues for 30 years, it means you have lost your relationships. Your children have grown up; now they are adults. So I felt a deep loss of many things.'

Khan paused for a moment, became emotional and cried, apologized, and composed himself while the audience applauded. Wiping away his tears, Khan noted that this realization prompted him to make serious changes. For the last four years, he has intentionally been spending time with his family and close friends.

According to Khan, he is glad that this thought came to him at the age of 56, rather than at 86, when it would be too late to change anything.

During the conversation, he was also asked about creating a sequel to the 2009 comedy film '3 Idiots', directed by Rajkumar Hirani. Amir Khan replied: 'I cannot say much, but I can say that Raju is working on the script. In fact, I hope that when I return in a few weeks, they will show me the final version. So, we shall see!'

Speaking about the toughest moments, Khan recalled another difficult phase early in his career. After the success of his first film 'Qayamat Se Qayamat Tak' in 1988, he signed nine films within six months. He believed that if big stars could handle multiple projects simultaneously, he could also act in 10 films.

When filming began, he realized his mistake. He would come home and cry in front of his then-wife Rina, after which his films began to fail one after another, and he was labeled as a 'one-hit wonder.' Khan recounted: 'At that time, mentally and emotionally, I felt trapped in a swamp. I was slowly drowning, and the more I fought to get out, the deeper I sank.'

Accepting the 'Screen Icon Award,' Khan thanked the festival and noted that receiving this award from Jackie Chan made the moment even more special. He emphasized: 'Making a film is a collective art, in which many people contribute to each other's work.'

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