KFC adapts K-dramas by dubbing scenes into South African languages
Read more
IOL
iol.co.za

KFC adapts K-dramas by dubbing scenes into South African languages

Although Korean dramas are often produced thousands of kilometers away, their captivating romantic plots, multifaceted characters, and climactic moments have gained popularity among viewers in South Africa.

This growing interest is reflected in an unexpected place—within a fast-food advertising campaign. The latest KFC campaign uses original footage from Korean dramas, but instead of keeping the dialogues in Korean, South African actors dubbed the scenes into isiZulu, Setswana, and Afrikaans.

The result is a familiar world of Korean drama, but with a distinctly South African sound. This demonstrates how global entertainment trends are increasingly being adapted for local audiences rather than simply consumed in their original form.

Thanks to streaming platforms and social media, Korean dramas have become part of mainstream pop culture for many South Africans, as their plots, characters, soundtracks, and scenes are regularly discussed online.

For the local audience, watching Korean content does not mean a complete rejection of South African culture. Language, humor, and local references can change the perception of an international entertainment product, creating a version that feels closer to home.

This approach is at the heart of KFC's K-Dunked campaign, launched on September 22nd alongside a line of Korea-inspired Dunked chicken. Instead of creating a Korean drama featuring South African actors, the campaign retains the original drama footage, only changing the voices.

This creative choice creates an interesting synthesis of two very different cultural forms of entertainment: Korean storytelling and South African multilingualism. The campaign also highlights the growing influence of Korean popular culture beyond television.

Korean music, beauty fashion trends, fashion, food, and entertainment have reached an international audience, and South African consumers are increasingly encountering these trends online, integrating elements of them into their daily lives.

However, the appeal of the KFC campaign lies not so much in making the content 'South African,' but in demonstrating how an audience can take something from another part of the world and interact with it through their own cultural lens.

The food products being advertised follow a similar concept. The K-Dunked line is positioned as Korea-inspired, rather than traditional Korean cuisine, offering flavor profiles that combine sweetness, spiciness, stickiness, and crunch.

This distinction is important because the campaign does not attempt to present the fast-food product as an authentic representation of Korean cuisine. Both the entertainment and food elements are presented as interpretations of trends that have spread beyond their original markets. The multilingual dubbing adds another layer to this exchange.

Hearing a dramatic dialogue from a Korean drama spoken in an African language can make a distant pop culture product surprisingly familiar, while simultaneously emphasizing how diverse the audience consuming global entertainment in South Africa can be. The campaign reflects how quickly global entertainment trends can become part of South African popular culture and how brands are finding increasingly localized ways to join this dialogue.

Similar stories

Savanna Comedy Festival concludes national tour, cementing South Africa as the world capital of comedy
Read more
iol.co.za

Savanna Comedy Festival concludes national tour, cementing South Africa as the world capital of comedy

The first Savanna Serves Bafunny Bafunny: South Africa’s Festival of Comedy has successfully concluded its national tour. This festival, led by Trevor Noah and hosted by Eugene Khosa, attracted over 20,000 spectators across the country, including three sold-out nights in three cities.

The national tour covered Tshwane (PTA), Durban (eThekwini), and Cape Town. The event demonstrated that life in Mzansi is a complete comedic show script, transforming the everyday frustrations of South Africans into collective therapy that elicits bursts of laughter.

Throughout the national tour in the three cities, Trevor Noah and Eugene Khosa performed alongside other comedians: Lernmor Jonasi, Mbali Gudazi, Tabiso Mkhlongo, Rory Petzer, Nonto R, Punch Gasela, and Lindi Johnson. The performances of these comedians in packed arenas reflected daily life in South Africa, showing it like a mirror.

The main participant, Trevor Noah, received thunderous applause for mocking situations, such as when security guards at local tollgates and shopping malls ridiculed him for presenting a new New York driver's license, which was recognized as a typical South African phenomenon. Eugene Khosa also made a sensation by mocking men who insist on wearing full 'uniforms' (pyjamas), adding that putting on a robe over it was like going on a night shift of sleep.

No spectator was immune to Eugene's jokes, whether it was a man who looked like he was being dragged to the show against his wife's will, or a father and son who resembled each other. Eugene joked that Durban has such a quirk, and the audience approved this statement with loud laughter.

Humor extended to the venue corridors, where patrolling comedian referees noticed spectators in amusing domestic infractions, issuing them 'Yellow Cards'. An example of such an infraction was Savanna ordering for themselves and forgetting about Savanna 0.0 for the designated driver. The public reaction was pure comedy: spectators welcomed, dramatically pleaded 'not guilty', and celebrated the appearance of their Yellow Cards on the venue screens, receiving exclusive Savanna x Bafunny Bafunny merchandise.

Yon Jacobs, assistant brand manager for Savanna Premium Cider, noted that 'Savanna has supported South African comedy for years, from small club corners to the Savanna Comics' Choice Comedy Awards'. He added that 'the gathering of Captain Trevor and the Bafunny Bafunny team was our way of celebrating the dry, uncompromising humor that unites us all.'

Popular