Interihotel: Event that brings together design, architecture, and technology in the hospitality sector
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ArchDaily Brasil
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Interihotel: Event that brings together design, architecture, and technology in the hospitality sector

Interihotel establishes itself as a central point for hospitality design. This event serves as a convergence point where areas such as interior design, architecture, products, technology, and business aspects unite to investigate the future of hotels, restaurants, and other hospitality environments.

Participants have the opportunity to learn about the latest trends related to furniture, lighting systems, materials, fabrics, and contractual solutions. Furthermore, it is possible to explore innovative concepts and projects and establish connections with architects, interior designers, various brands, manufacturers, hospitality professionals, and other industry specialists.

The scale of the event demonstrates the robustness of the market: in its most recent edition, Interihotel BCN25, 11,675 professionals from 53 nations gathered, alongside 291 exhibiting brands, presenting over 2,500 active hospitality projects.

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La Grieta Pavilion and Onda Pavilion, designed with WEYES Studio, explore sustainability and light-space interaction
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archdaily.com.br

La Grieta Pavilion and Onda Pavilion, designed with WEYES Studio, explore sustainability and light-space interaction

The La Grieta Pavilion, developed in collaboration with WEYES Studio and architecture students from CEDIM, was conceived as an academic and constructive investigation focused on themes such as sustainability, material awareness, and the intrinsic relationship between light, time, and space.

This pavilion functioned simultaneously as a built object and a pedagogical exercise, uniting the concepts of design, construction, and ecological awareness through direct interaction with the materials used.

The project utilized the Interlocking Timber Block (BME) system, a construction method based on wooden blocks that follows the precepts of renewable and sustainable architecture. This material comes from responsibly managed forest resources in the Sierra de Durango, reflecting Habiteo's philosophy of conscious construction, characterized by being light, adaptable, and ecologically responsible.

In addition to its technical merit, the use of this material provided students with the opportunity to assimilate alternative construction logics that reduce carbon emissions while creating welcoming and habitable environments.

An intensive three-week workshop integrated theoretical knowledge and practical application, conducted entirely by the students under the supervision of professors and collaborators. Initially, participants became familiar with construction tools, architectural documentation procedures, regulatory standards, and site management, while studying the construction logic of the BME system.

Direct contact with the material allowed the students to quickly develop an intuitive notion of the construction sequence, precision, and assembly. On the construction site, the students were responsible for all stages of the pavilion's construction: from marking and leveling, through excavation and foundation, concreting, to the sequential assembly of approximately 3,000 wooden blocks.

This process reinforced the need to translate architectural design into physical reality, enabling the understanding of the link between design choices, material limitations, and construction accuracy. The collective effort also highlighted the relevance of collaboration in architecture, as the students organized and recognized the individual competencies of the team, ranging from coordination and spatial understanding to physical execution and technical precision.

Conceived as a spatial experience aimed at contemplation, La Grieta explores the intangible qualities of architecture through the contrast between darkness, light, and the passage of time. The pavilion adopts the form of a dark volume pierced by a narrow opening, called a 'slit' (grieta). This opening was strategically positioned after solar studies to capture the movement of light throughout the day.

As light breaks into the interior, it gradually covers the wooden surfaces, generating dynamic atmospheres and constantly changing sensory experiences. Each visit to the pavilion is unique, defined by the moment, the season, and individual perception. Internally, the pavilion acts as a labyrinthine passage between twilight and luminosity, inviting visitors to detach from external distractions and reconnect with primary spatial sensations, such as shadow, texture, silence, scale, and the inherent warmth of the material.

Through this controlled interaction between enclosure and light entry, the pavilion establishes itself as an instrument of consciousness and meditation. Ultimately, the La Grieta Pavilion transcended the status of a mere temporary structure, serving as a platform for collective learning that illustrates how collaborative practice, material experimentation, and sustainable construction can influence not only architecture but also the vision of future generations of architects regarding their social and environmental responsibility.

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